G. K. Chesterton

Considered by many to be Chesterton's greatest masterpiece of all his writings, this is his whole view of world history as informed by the Incarnation. Beginning with the origin of man and the various religious attitudes throughout history, Chesterton shows how the fulfillment of all of man's desires takes place in the person of Christ and in Christ's Church.

Chesterton propounds the thesis that "those who say that Christ stands side by side with similar myths, and his religion side by side with similar religions, are only repeating a very stale formula contradicted by a very striking fact." And with all the brilliance and devastating irony, so characteristic of his best writing, Chesterton gleefully and tempestuously tears to shreds that "very stale formula" and triumphantly proclaims in vivid language the glory and unanswerable logic of that very striking fact. Here is the genius of Chesterton at its delightful best.

This unique collection of Father Brown mysteries links tales by G.K. Chesterton with the Ten Commandments. The connection is often surprising, however, for the criminal is not necessarily the worst sinner in the story, nor is his crime necessarily the worst offense.

When Chesterton created the character of Father Brown, he brought a new dimension to mystery stories--the distinction between crime and sin. As the priest-detective applies his powers of observation to solve a case, he picks up clues about other offenses, such as those against the Sabbath or one's parents. Father Brown's main concern is not the laws of the State but the Commandments of God.

As Dorothy Sayers once wrote, G.K. Chesterton was the first man of our time to introduce the great name of God into a detective story . . . to enlarge the boundaries of the detective story by making it deal with death and real wickedness and real, that is to say, divine judgment.

This edition includes footnotes not available in other versions, which help to clarify the literary and historical allusions made by Father Brown. It is based on the texts of Chesterton's original editions, for assurance of authenticity, and is set in easily readable type.

Edited by Dale Ahlquist

Hilaire Belloc called "Lepanto" Chesterton's greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based.

This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the modern conflict between Christianity and Islam, between Protestant and Catholic Europe, and the origin of the Feast of the Holy Rosary. A fascinating blend of literature, history, religion and romance!

This book can not be sold in the following countries:

AUSTRALIACANADAGREAT BRITAINNEW ZEALANDSOUTH AFRICA

Gilbert Keith Chesterton is one of the most celebrated and reverently esteemed figures in modern literature. He was a phenomenally prolific writer. After achieving early success as an illustrator, he subsequently established his fame as a playwright, novelist, poet, literary commentator, pamphleteer, essayist, lecturer, apologist, and editor. The depth and range of his work are astounding.

A pagan at only 12 and totally agnostic by 16, Chesterton had the remarkable experience of developing a personal, positive philosophy that turned out to be orthodox Christianity. Orthodoxy, his account of it all, has not lost its force as a timeless argument for the simple plausibility of traditional Christianity. C.S. Lewis and many other emerging Christian thinkers have found this book a pivotal step in their adoption of a credible Christian faith. This intellectual and spiritual autobiography of the leading 20th century essayist combines simplicity with subtlety in a model apologetic that appeals to today's generations of readers who face the same materialism and antisupernaturalism as did the "man at war with his times."

Of the numerous works that Chesterton wrote, the most scintillating synthesis of his philosophy and deeply religious faith was manifested in his masterpiece, Orthodoxy, written when he was only thirty-four and which tells, in his inimitable, soaring prose, of his earth-shaking discovery that orthodoxy is the only satisfactory answer to the perplexing riddle of the universe. Orthodoxy is perhaps the most outstanding example of the originality of his style and the brilliance of his thought.