G. K. Chesterton

Chesterton propounds the thesis that those who say that Christ stands side by side with similar myths, and his religion side by side with similar religions, are only repeating a very stale formula contradicted by a very striking fact. And with all the brilliance and devastating irony, so characteristic of his best writing, Chesterton gleefully and tempestuously tears to shreds that very stale formula and triumphantly proclaims in vivid language the glory and unanswerable logic of that very striking fact. Here is the genius of Chesterton at its delightful best.

Hilaire Belloc called "Lepanto" Chesterton's greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based.

This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the modern conflict between Christianity and Islam, between Protestant and Catholic Europe, and the origin of the Feast of the Holy Rosary. A fascinating blend of literature, history, religion and romance!

"A valuable reference book that is also a great read!"
--Therese Warmus, Literary Editor, Gilbert Magazine

G.K. Chesterton

A pagan at only 12 and totally agnostic by 16, Chesterton had the remarkable experience of developing a personal, positive philosophy that turned out to be orthodox Christianity. Orthodoxy, his account of it all, has not lost its force as a timeless argument for the simple plausibility of traditional Christianity. C.S. Lewis and many other emerging Christian thinkers have found this book a pivotal step in their adoption of a credible Christian faith. This intellectual and spiritual autobiography of the leading 20th century essayist combines simplicity with subtlety in a model apologetic that appeals to today's generations of readers who face the same materialism and antisupernaturalism as did the man at war with his times.

Of the numerous works that Chesterton wrote, the most scintillating synthesis of his philosophy and deeply religious faith was manifested in his masterpiece, Orthodoxy, written when he was only thirty-four and which tells, in his inimitable, soaring prose, of his earth-shaking discovery that orthodoxy is the only satisfactory answer to the perplexing riddle of the universe. Orthodoxy is perhaps the most outstanding example of the originality of his style and the brilliance of his thought.

G.K. Chesterton's brilliant sketch of the life and thought of Thomas Aquinas is as relevant today as when it was published in 1933. Then it earned the praise of such distinguished writers as Etienne Gilson, Jacques Martain, and Anton Pegis as the best book ever written on the great thirteenth-century Dominican. Today Chesterton's classic stands poised to reveal Thomas to a new generation.

Chesterton's Aquinas is a man of mystery. Born into a noble Neapolitan family, Thomas chose the life of a mendicant friar. Lumbering and shy -- his classmates dubbed him the Dumb Ox -- he led a revolution in Christian thought. Possessed of the rarest brilliance, he found the highest truth in the humblest object. Having spent his life amid the vast intricacies of reason, he asked on his deathbed to have read aloud the Song of Songs, the most passionate book in the Bible.

As Albert the Great, Thomas's teacher, predicted, the Dumb Ox has bellowed down the ages to our own day. Chesterton's book will enlighten those who would consign Thomas to the obscurity of medieval times. It will confound those who would use Thomas to bolster arid schemes of Christian rationalism. Rather, it will introduce the wondrous mystery of the man who, after a life of unparalleled genius, was seized by a vision of the Unknown and said, I can write no more. I have seen things which make all my writings like straw.

Chesterton possessed the genius to foresee the dangers if modernist proposals were implemented. He knew that lax moral standards would lead to the dehumanization of man, and in this book he staunchly defends the family, its constituent elements and character over against those ideas and institutions that would subvert it and thereby deliver man into the hands of the servile state. In addressing what is wrong, he also shows clearly what is right, sane and sensible and how to change things in that direction.