G. K. Chesterton
Everlasting Man
Chesterton propounds the thesis that "those who say that Christ stands side by side with similar myths, and his religion side by side with similar religions, are only repeating a very stale formula contradicted by a very striking fact." And with all the brilliance and devastating irony, so characteristic of his best writing, Chesterton gleefully and tempestuously tears to shreds that "very stale formula" and triumphantly proclaims in vivid language the glory and unanswerable logic of that very striking fact. Here is the genius of Chesterton at its delightful best.
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Flying Inn
The beloved G.K. Chesterton presents a well-crafted and joyous work of political fantasy about a small group of rebels who rail against the government's attempt to impose prohibition in England.
Humphrey Pump, a pub owner, accompanied by Captain Patrick Dalroy, a flamboyant giant with a tendency to burst into song, take to the road in a donkey cart with a cask of good rum, a large block of cheese, and the signpost from his pub, The Flying Inn. The two men bring good cheer to an increasingly restless populace as they attempt to evade the law. In a journey that becomes a rollicking madcap adventure, the two travel round England, encountering revolution, romance, and a cast of memorable characters.
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I Also Had My Hour: An Alternative Autobiography of G.K. Chesterton
Nearly a century after his death, G. K. Chesterton comes out with a new book . . . about himself!
Renowned Chesterton scholar Dale Ahlquist presents a unique retelling of Chesterton's life in Chesterton's own words, drawn from hundreds of sources--including material that has not been seen for over a hundred years--and edited into a narrative. Ahlquist has used bits and pieces, sentences and paragraphs, even poems, to allow the Prince of Paradox, while talking about something else, to give many revealing glimpses of himself. Although Chesterton penned an autobiography at the end of his life, he mostly wrote about other people. Here, finally, is the person he neglected to tell us about: G. K. Chesterton.
Ahlquist's careful compilation yields a new, intimate look at the most interesting character in Chesterton's story: the man holding the pen. We learn about his youth, his beginnings as a writer, his rise as a literary star, his family and friends and foes, his travels, his struggles and temptations, his controversies, his sorting out the mystery of life, and his conversion to the Catholic faith.
For many readers, even those familiar with Chesterton, much of the material in this book will be completely new. Ahlquist also provides an extensive timeline of Chesterton's life, which is itself a compact biography.
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Lepanto
Hilaire Belloc called "Lepanto" Chesterton's greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based.
This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the modern conflict between Christianity and Islam, between Protestant and Catholic Europe, and the origin of the Feast of the Holy Rosary. A fascinating blend of literature, history, religion and romance! "A valuable reference book that is also a great read!"--Therese Warmus, Literary Editor, Gilbert Magazine G.K. Chesterton was one of the most prolific and renowned literary writers of the 20th Century. Dale Ahlquist, author of G.K. Chesterton: Apostle of Common Sense, is the President of the American Chesterton Society.
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Man Who Was Thursday, The
This edition of Chesterton's masterpiece and most famous novel, The Man Who Was Thursday, explicates and enriches the complete text with extensive footnotes, together with an introductory essay on the metaphysical meaning of Chesterton's profound allegory. Martin Gardner sees the novel's anarchists as symbols of our God-given free will, and the mysterious Sunday as representing Nature, with its strange mixture of good and evil when considered as distinct from God, as a mask hiding the transcendental face of the creator. The book also includes a bibliography listing the novel's many earlier editions and stage dramatizations, as well as numerous illustrations that further illuminate the text. Illustrated
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Manalive
Introduction by Dale Ahlquist
This classic novel by the brilliant G. K. Chesterton tells the rollicking tale of Innocent Smith, a man who may be crazy-or possibly the most sane man of all. Arriving at a dreary London boarding house accompanied by a windstorm, Smith is an exuberant, eccentric and sweet-natured man. Smith has a positive effect on the house-he creates his own court, brings a few couples together, and falls in love with a paid companion next door. All seems to be well with the world.
Then the unexpected happens: Smith shoots at one of the tenants, and two doctors arrive to arrest him, claiming that he's a bigamist, an attempted murderer, and a thief. But cynical writer Moon insists that the case be tried there-and they explore Smith's past history, revealing startling truths about what he does. Is he the wickedest man in Britain, or is he "blameless as a buttercup"?
Beautifully written, mixing the ridiculous with the profound, full of hilarious dialogue and lushly detailed writing, Chesterton's main character Innocent Smith somehow manages to restore joy to all the dull and cynical lives around him. In this delightfully strange mystery, Chesterton demonstrates why life is worth living, and that sometimes we need a little madness just to know we are alive.
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Orthodoxy
A pagan at only 12 and totally agnostic by 16, Chesterton had the remarkable experience of developing a personal, positive philosophy that turned out to be orthodox Christianity. Orthodoxy, his account of it all, has not lost its force as a timeless argument for the simple plausibility of traditional Christianity. C.S. Lewis and many other emerging Christian thinkers have found this book a pivotal step in their adoption of a credible Christian faith. This intellectual and spiritual autobiography of the leading 20th century essayist combines simplicity with subtlety in a model apologetic that appeals to today's generations of readers who face the same materialism and antisupernaturalism as did the "man at war with his times."
Of the numerous works that Chesterton wrote, the most scintillating synthesis of his philosophy and deeply religious faith was manifested in his masterpiece, Orthodoxy, written when he was only thirty-four and which tells, in his inimitable, soaring prose, of his earth-shaking discovery that orthodoxy is the only satisfactory answer to the perplexing riddle of the universe. Orthodoxy is perhaps the most outstanding example of the originality of his style and the brilliance of his thought.
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Orthodoxy (Noll Library)
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Saint Francis of Assisi
This edition offers all of G. K. Chesterton's insight, humor, and wit as he uncovers the real meaning of the life of the world's most popular saint. All Francis's life was a series of plunges and scampers, darting after the beggar, dashing naked into the woods, tossing himself into the strange ship, and hurling himself into the Sultan's tent. In appearance he must have been like a thin brown skeleton autumn leaf dancing eternally before the wind; but in truth it was he that was the wind.
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St Thomas Aquinas and St Francis of Assisi
St. Thomas Aquinas was written later in Chesterton's career. It also is enriched by the author's unique ability to see the world through the saint's eyes, a view that shows us Aquinas in a fresh way. Chesterton's pen brings the author of the Summa vividly to life.
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Tumbler of God: Chesterton as Mystic
"One of the best books I have ever read on Chesterton."--Dale Ahlquist
"A book that speaks openly of what is, in the end, the most important thing about him: his friendship with God."--Stratford Caldecott
"A ground-breaking examination of G.K. Chesterton."--Mark Sebanc
"Robert Wild's fascinating perspective is a welcome addition to the enlivening field of Chestertonian studies."--Chris Chan
"An exploration, made with deep and affectionate familiarity with GKC's writings, of what is meant by the word 'mystic'."--Francis Phillips, The Catholic Herald
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